Kanye West, Melissa Etheridge, much more: Grading the week’s greatest (and worst) singles

Each and every week, EW’s music personnel will take a tough listen to the greatest new tracks and provides up our unfiltered opinions. Read on for evaluations of new tracks by Kanye West, Melissa Etheridge, Danny Brown, and a lot more. Last week, Kanye West plucked The Daily life of Pablo from its Tidal house for yet one more round of publish-released tweaks, incorporating surprise new song “Saint Pablo” to its currently mammoth tracklist. Assisted by Londoner Sampha’s melancholic coo and a brooding set of minimalist manufacturing, Kanye bites into the tailspin of headline-grabbing behavior that is trailed him considering that the album’s original February release. “The media explained it was outlandish spendin’ / The media explained he’s way out of handle / I just really feel like I’m the only a single not pretendin’ / I’m not out of manage, I’m just not in they manage,” he opines.

If TLOP served as a brilliantly bizarre dive into Kanye’s various psyches, “Saint Pablo” may possibly be the rapper at his sanest: refreshingly self-aware and still not offering a f—. B+ –Dana Getz Two Door Cinema Club, “Are We Ready? (Wreck)” Alex Trimble, frontman of this Irish trio, has mentioned his group’s new single was inspired by weltschmertz. “the German word for being at odds with the world around you.” But you won’t locate any radical new rock and roll moves right here. Rather, Two Door Cinema Club crank out a mildly rousing banger amplified with post-punk guitars, a chorus of na-na-nas and Trimble’s foreboding tale of groupthink that strives for the profundity of Rogers Waters with The Wall. But at least Pink Floyd had bombast, hooks, and David Gilmour’s guitar solos. B-Kevin O’Donnell Undesirable sounds? P’shaw.

The British quintet revive the golden age of ’90s Britpop with a little gem that characteristics a host of nifty sonic tricks—layers of whirring synths, funky Clavinets, booty-shaking bass. Singer Ewan Merrett also scores with a vivid Irvine Welsh-fashion story of everyday folks who seemingly cannot evade that black cloud over their heads.

A-–Kevin O’Donnell Jenny Lewis drops her folk tendencies in favor of slightly psychedelic rock for “Door,” the 1st single from new supergroup Great as F—. When the Rilo Kiley frontwoman commences singing, her vocals sound drowned out as a hypnotizing bassline backs her up. Bandmates Erika Forster (Au Revoir Simone) and Tennessee Thomas (The Like) eventually join in for some pop-punk-style gang vocals.

It’s enjoyable, singalong-prepared, and, yes, nice as f—. A- –Ariana Bacle Like all the greatest Danny Brown songs, “When It Rain” feels like strolling via the sonic equivalent of a hall full of funhouse mirrors. Hip-hop’s weirdo king returned — on Warp Information, much better identified for its roster of outré electronic artists like Oneohtrix Level Never and Aphex Twin — with his obtuse rhymes and discordant beats, hinting that his upcoming studio hard work could continue to push the boundaries he tested with 2013’s Old . B+–Eric Renner Brown Right after final weekend’s shooting at a gay nightclub in Orlando, Melissa Etheridge channeled her emotions into performing what she does greatest — writing a song. On “Pulse,” named following the venue in which a gunman killed 49 people, the rocker responded with a lovely song about hope and optimism.

Her raw emotions are clear with such effective lyrics like, “Everybody’s acquired a pain within/ Imaginary wounds they fight to hide/ How can I hate them, when everybody’s received a pulse.” A-–Derek Lawrence

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